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Pop Art style Jewellery
Introduction:
To introduce how do I think about Pop Art. Though those Pop Art artists’ work, I divided my own Pop Art style into 3 parts: color, the Repeating or restructuring elements and the link with popular industry or fashion industry. I will introduce one artist per part.
Main body:
1. Color:
Yayoi Kusama
1 the strong color that she used
Her work usually use red, green and yellow dot, those present sun, earth and the moon. These dots is the way she communicate with the world
2 Compare the way to use color between she and me
写下对她颜色的评价
2. The repeating or restructuring elements
Yayoi Kusama：
Mirror: How did she use the mirror as an element to make her own work
Margaux Lange’s Barbie Jewellery
The way she make her work
“Sometimes there’s a storyline to my pieces and I’ll have a particular idea I wish to explore (depending on the doll parts being used) and that will serve as the concept that shapes the piece. Other times it’s purely about design and arranging shapes and patterns within multiple elements. And sometimes it’s both, where I start out with a pattern or design in mind and by the end a concept has evolved. My design process varies a lot from piece to piece.
I usually tend to work in smaller time segments throughout the week but aim for at least 15-20 studio hours total per week. The business end of my jewelry ends up requiring a lot more time away from my studio than I ever imagined http://www.ukassignment.org/ it would: spending time on the computer with emails, my website, blog, etc.
I also currently have part-time outside employment as well to help make ends meet. Unfortunately at this point in my career it’s a necessity but I’m confident that it won’t always be. That’s what I’m working towards: successfully making a living off my art! 这是人家采访他的一段资料~我觉得还是挺有用的
”
2 the market:
how did she sell her work~ how she make the price，where did she put her work
这个在图片里有我的截图~
3 Compare with the way to use the body part as an element to make jewellery
between she and me
就是写下自己的意见
3. The link with popular or fashion industry:
Murakami Takashi
1 How did he run his company? How could he be an great artist and a businessman in the same time?
2 How did he combine his work with LV
3 Consider how should I make my work popular and make it more valuable.
大概写下以后的打算~，类似于我想现在公司做三五年当设计师，攒经验~然后自己开启自己的公司~#p#分页标题#e#
Conculsion:
I learned a lot of things form these artist. (Examples), In the future I want my work not only sell in the gallery, I also want to have my own brand.
这些我也是觉得是我资料里面比较重点的东西~
草间弥生的创作被评论家归类到相当多的艺术派别，包含了女权主义、极简主义、超现实主义、原生艺术(en:Art
Brut)、普普艺术和抽象表现主义等。但在草间对自己的描述中，她仅是一位“精神病艺术家”(obsessive
artist)。从她的作品中可以看到，她企图呈现的是一种自传式的、深入心理的、性取向的内容；草间所用的创作手法则有绘画、软雕塑、行动艺术与装置艺术等。
草间在相当早的创作时期就发展出了自己的特色，她善用高彩度对比的圆点花纹加上镜子，大量包覆各种物体的表面，如墙壁、地板、画布、家里会出现的物品、还有**的助理)。她自己的打扮往往也与作品有很高的同质性，并以短上衣和非常强烈的眼影妆闻名。草间曾说明这些视觉特色都来自于她的幻觉，她认为这些点组成了一面无限大的补捉网(Infinity
nets)，代表了她的生命。
此外，草间也发展出自己独特的“繁殖”特色，她有许多作品都以蕈类聚生的造型出现。在1990年代之后，草间加入了商业艺术的领域，与服装设计界合作，推出了带有浓厚圆点草间风格的服饰，并开始贩卖许多艺术商品。
红点、绿点、黄点，是草间弥生（Yayoi Kusama）的创作标志，这３色圆点同时代表了太阳、地球、月亮。这些重复性的圆点被她当作与世界沟通的途径。她所善用的高彩度对比圆点花纹，无时无刻不出现在在她的绘画、软雕塑、行动艺术与装置艺术作品中。
“地球也不过只是百万个圆点中的一个”，她用它们来改变固有的形式感，在事物之间刻意地制造连续性，来营造一种无限延伸的空间，置身其中的观众无法确定真实世界与幻境之间的边界。草间曾说这些视觉特色都来自于她的幻觉，她认为这些点组成了一面无限大的补捉网（infinity nets），代表了她的生命。
她是第一位单独代表日本参加威尼斯双年展的女性艺术家。她大胆的表现，总是传达出存在于其激进意念中的浪漫精神。如今想要颠覆长久以来食古不化之日本艺术制度的年轻一辈，都视草间为典范。
自1990年后，草间加入了商业艺术的领域，与服装设计界合作，推出了带有浓厚圆点草间风格的服饰，并开始拓展包括创意家具、玩具、生活用品等在内的流行类商品。#p#分页标题#e#
What is your creative process like? How do you go about designing a piece?
Sometimes there’s a storyline to my pieces and I’ll have a particular idea I wish to explore (depending on the doll parts being used) and that will serve as the concept that shapes the piece. Other times it’s purely about design and arranging shapes and patterns within multiple elements. And sometimes it’s both, where I start out with a pattern or design in mind and by the end a concept has evolved. My design process varies a lot from piece to piece.
I usually tend to work in smaller time segments throughout the week but aim for at least 15-20 studio hours total per week. The business end of my jewelry ends up requiring a lot more time away from my studio than I ever imagined it would: spending time on the computer with emails, my website, blog, etc.
I also currently have part-time outside employment as well to help make ends meet. Unfortunately at this point in my career it’s a necessity but I’m confident that it won’t always be. That’s what I’m working towards: successfully making a living off my art!
Barbie jewellery: creepy or cute?
村上隆将米老鼠的变体形象植入自己的作品（Mr. DOB）将它视为自己的化身并成为独特的视觉符号。
不仅有曾在纽约克里斯蒂拍卖会上拍出了56.7万美元天价的金发卡通美女Ko2小姐（玻璃纤维制，高约2米）；让全世界女性追捧的LV也频频与他合作，装饰有他设计图案的LV手袋，每只售价高达5000美元。Mr. DOB的形象也曾被印在T恤衫和气球上大量发售，成为深受年轻人喜爱的潮流品。
可以说，他的艺术从形式到内容都瓦解了精英文化与通俗文化之间的隔阂，使自己摇身变成制造流行及商业文化的人，并在不断寻找艺术与商业之间新的融合可能性。
年轻人已经不再仅仅满足也已经不再屑于那些印着唐老鸭或者HelloKitty卡通形象的衣服，他们更欣赏有点神经质的村上隆式色彩和图案大量体现在他们的衣服上。
村上隆的设计，比如那些疯狂彩蘑菇，在他自己心中，都代表着一种沉重的社会意义，表达他对于这个日益“su-perflat”的世界的不安。MarcJacobs也提到：“我对村上隆的作品十分着迷，除了他异想天开的创意和不受拘束的用色，我也喜欢他作品欢乐下的黑暗面。”年轻人在消费那些缤纷色彩和可爱形象本身的时候，似乎也在潜意识里为艺术家更深层面的思考买单。在另一部由流行漫画改变的日本电影《NANA》里，两个同名的女主角，一个喜好可爱至极的娃娃装，而另一个则是充满愤怒的庞克青年，这或许正是隐喻着同时活在年轻人心中的两面。他们已经不在仅仅满足也已经不再屑于那些印着唐老鸭或者HelloKitty卡通形象的衣服，他们更欣赏有点神经质的村上隆式色彩和图案，反映在他们的衣服上，表达着青春的美好与残酷。#p#分页标题#e#
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